Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Didomido - Arka Bahçe (Ersin Gürler Akan) - Chord
Key Db major – Bb minor Chords Bbm, Ebm, F, Db, Ab Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Bbm F Ebm Bbm F Bbm
Bbm F Bbm
Çocukluğumda anlatılan masallar kadar
Ebm
Güzel bir renkli arka bahçesi var
Bbm F Bbm
Çiçekleri sadece kendine kadar
Şşş, sus kimse duymasın çiçeklerin canı yanar
Bbm F Bbm
Gözlerinin kenarlarında dalgalar mı var
Ebm
Yoksa orada da ayrı bir hayat mı var
Bbm F Bbm
İçinde onlarca hikaye barındıran
Şşş, boşverin diyor hikayeler falan yalan
Bbm F Bbm
Neden fısıldadığında sorduğumda kuşlar falan
Ebm Bbm
İçeride şarkı söylüyorlar hiç durmadan
F Bbm
Seslerindeki melodiler olmadan
Yaşanmaz ki hayat bir dakika durmadan
Bbm F
Seninle dünyan dolu diyor yalan dolan
Bbm Ebm Bbm
İnsanların içinde hep menfaat falan
F Bbm
Onların kalbi sadece kan pompalar
Benimkindeyse renkler çocuklar falan
Ebm Db Ebm
İşte o yüzden, işte o yüzden
Db
Kimseyi almaz bahçesine
Ebm Db Ab Ebm
Verandasında uzanır bakar keyfine, keyfine
Ebm Db Ebm
Eğer isterse, eğer isterse
Db
Resimler çizer tuvaline
Ebm Db Ab
Fırçasıyla katar seni hayaline
Bbm, Ab Bbm
Hayaline, hayaline, hayaline
End of song Play again?
Didomido - Arka Bahçe (Ersin Gürler Akan) Tabs
NotesX
Harmony analysis
Didomido – Arka Bahçe (Ersin Gürler Akan): key and chord analysis
The song opens on Bbm and ends on Ab. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
- #7 = A (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm, Bbm is heard 19 times against 6 for Db and the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 6× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 12× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | 10× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 2× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 19× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 19× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 6× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 12× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | 10× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 2× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 49 times in total; 4 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F is V/vi, a secondary dominant heading for Bbm.
Chord movement
- F Bbm DbV/vi → vi BbmV → iharmonic-minor cadence ×9
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×5
The move to watch is F → Bbm, heard 9 times. From the Bbm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Db side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- When F comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Bbm lays a solid floor for everything that follows. The chords that keep coming back are Bbm, Ebm, F, Db; read them as vi–ii–V/vi–I in Db or i–iv–V–III in Bbm. F is the interesting twist: in Db it is a chromatic chord (V/vi), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F → Bbm (V/vi → vi in Db, V → i in Bbm): harmonic-minor cadence — the major V resolves dramatically. It closes on Ab, letting the Db side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Didomido - Arka Bahçe (Ersin Gürler Akan) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ersin Gürler AkanMusic: Ersin Gürler AkanArrangement: Uğur Ateş
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