Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Diyar Pala - Hep Yek - Chord
Key Ab major – F minor Chords Fm, Eb, Db, C Easy key C
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Key: Ab | Fm
Capo: 0
Fm Eb Db C
Fm Eb
Gene mi Hep Yek, yine mi bahtımız yok
Db C
Bizi de görse yani, şansımız dönse bari
Fm Eb
Ya da en azından tek tek sorunlar bitse belki
Db C
Atılan zarlar eski, ne kadar dayanılır ki
Fm
Ama yeter, bir kez de gül be kader
Eb
Dedikçe biter olduk en başından bile beter
Db
Aynı yollar, engelsiz olmaz
C
Emeklemeden koşan kimse ayakta
Fm
Duramaz başarı hikayesi yok
Eb
Ama kime sorsan ortamın bir tanesi
Db
Kiminin şansı yaver gider
C
Kimi bizim gibi, o zar gelsin diye bekler
Fm
Boşa gider, dünüm de bu günümde
Eb
İleri baktığımda görünmüyor hedefler
Db
Eski dertler de yeni dersler
C
Ve teklemeden yine devam tek tabanca
Fm
Pes edemem, yolumdan dönemem ben
Eb
Sürekli isyan etsem, yine de vazgeçemem
Db
Yıllarca içimdeki bu duyguyla baş edemem
C
Oyun ben bitmeden bitmez
Fm Eb
Gene mi Hep Yek, yine mi bahtımız yok
Db C
Bizi de görse yani, şansımız dönse bari
Fm Eb
Ya da en azından tek tek sorunlar bitse belki
Db C
Atılan zarlar eski, ne kadar dayanılır ki
Fm
Bitmedi, zulamda saklı son koz hileli
Eb
Hayata barbut attık, eski deste kartlar açtık
Db
Artık oyun rus ruleti, yoksa cesaretin
C
Aynı gider işin sonu, devam eder esaretin
Fm
Son bir şans dene, tamam varım yoğum
Eb
Masada Bu kez para yok, Onun yerine
Db
Cebimde hayaller ve yepyeni düşünceler
C
Rest, tükendi kafiyeler
End of song Play again?
Diyar Pala - Hep Yek Tabs
NotesX
Harmony analysis
Diyar Pala – Hep Yek: key and chord analysis
The song opens on Fm and ends on C. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm, Fm is heard 11 times while Ab never appears and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | 11× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 11× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 11× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 11× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 11× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 11× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 11× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 11× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 44 times in total; 3 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C is V/vi, a secondary dominant heading for Fm.
Chord movement
- C Fm AbV/vi → vi FmV → iharmonic-minor cadence ×10
The move to watch is C → Fm, heard 10 times. From the Fm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Ab side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. Fm, Eb, Db, C carry the song: vi–V–IV–V/vi relative to Ab, i–VII–VI–V relative to Fm. C is the interesting twist: in Ab it is a chromatic chord (V/vi), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on C → Fm (V/vi → vi in Ab, V → i in Fm): harmonic-minor cadence — the major V resolves dramatically. It closes on C, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Diyar Pala - Hep Yek Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Diyar PalaMusic: Diyar Pala
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