Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Erkan Ketenci - Dönersin Diye - Chord
Key Ab major – F minor Chords Bbm7, Dbmaj7, Cm7, Fm, Cm, Eb, Ab Easy key C
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Key: Ab | Fm
Capo: 0
Fm Cm7 Bbm7 Cm7 Dbmaj7 Cm7 Bbm7 Cm7
Ab Bbm7 Cm7
Kanadım yok uçma ya
Dbmaj7 Eb Dbmaj7 Cm7
Kuşlar alsın ye ri mi
Ab Bbm7 Cm7
Ben kapattım sen açma
Dbmaj7 Bbm7 Cm7 Dbmaj7
Yaralı yüreği mi
Fm Bbm7 Eb
Seni dönersin diye
Fm Cm Dbmaj7
Bakarım yollara ben
Bbm7 Cm
Bakarım yollara ben
Fm Bbm7 Eb
Bir güne dayana mazdım
Fm Cm Dbmaj7
Dayandım yıllara ben
Bbm7 Cm
Dayandım yıllara ben
Ab Bbm7 Cm7
Bir gün beni arar san
Dbmaj7 Eb Dbmaj7 Cm7
Bıraktığın ye re bak
Ab Bbm7 Cm7
Senin canın sağ olsun
Dbmaj7 Bbm7 Cm7 Dbmaj7
Bendeki kedere bak
Fm Bbm7 Eb
Seni dönersin diye
Fm Cm Dbmaj7
Bakarım yollara ben
Bbm7 Cm
Bakarım yollara ben
Fm Bbm7 Eb
Bir güne dayana mazdım
Fm Cm Dbmaj7
Dayandım yıllara ben
Bbm7 Cm
Dayandım yıllara ben
End of song Play again?
Erkan Ketenci - Dönersin Diye Tabs
NotesX
Harmony analysis
Erkan Ketenci – Dönersin Diye: key and chord analysis
The song opens on Fm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 9 times against 4 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 4× |
| ii7 | Bbm7 | Supertonic — prepares the dominant | Bb · Db · F · Ab | 16× |
| iii7 | Cm7 | Mediant — a tonic-family shade | C · Eb · G · Bb | 12× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 8× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 13× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 6× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 9× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 9× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 4× |
| iv7 | Bbm7 | Subdominant — moves away from home | Bb · Db · F · Ab | 16× |
| v7 | Cm7 | Minor dominant — soft pull | C · Eb · G · Bb | 12× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 8× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 13× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 6× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 68 times in total; 7 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×4
- Bbm7 Eb Abii7 → Vii → V Fmiv7 → VII ×4
- Dbmaj7 Eb AbIVmaj7 → VIV → V FmVImaj7 → VIIVI → VII ×2
- Dbmaj7 Fm AbIVmaj7 → vi FmVImaj7 → iVI → i ×2
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×2
The move to watch is Eb → Fm, heard 4 times. From the Fm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Ab side it reads V → vi (deceptive cadence: expected Ab, lands on Fm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. The backbone is Bbm7, Dbmaj7, Cm7, Fm — ii7–IVmaj7–iii7–vi from the Ab side, iv7–VImaj7–v7–i from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → Fm (V → vi in Ab, VII → i in Fm): Aeolian arrival — rises a whole tone into home. The final chord is Cm; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Erkan Ketenci - Dönersin Diye Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Erkan KetenciMusic: Erkan KetenciArrangement: Erkan Ketenci
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