Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Mahsun Kırmızıgül - Canın Sağolsun - Chord
Key Ab major – F minor Chords Cm, Db, Eb, Bbm, Ab, Fm Easy key C
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Key: Ab | Fm
Capo: 0
Ab Bbm Cm
Tükenen sadece zaman değil ki
Eb Db Cm
İnsan da tükenir aşkta tükenir
Fm Db Eb
Hadi git yolların hep açık olsun
Cm Db
Gökkuşağı senin yoldaşın olsun
Bbm
Ne küfür ne isyan ne de beddua
Eb Db Cm
En ağır sözüm sana canın sağ olsun
Ab Bbm Cm
Belki zaman ilaaç olur yarama
Eb Db Cm
Belki gülüşümde bir sızı kalır
Ab Bbm Cm
Belki zaman merheem olur yarama
Eb Db Cm
Belki gülüşümde bir sızı kalır
Fm Db Eb
Hadi git yolların hep açık olsun
Cm Db
Gökkuşağı senin yoldaşın olsun
Bbm
Ne küfür ne isyan ne de beddua
Eb Db Cm
En ağır sözüm sana canın sağ olsun
End of song Play again?
Mahsun Kırmızıgül - Canın Sağolsun Tabs
NotesX
Harmony analysis
Mahsun Kırmızıgül – Canın Sağolsun: key and chord analysis
The song opens on Ab and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Ab major side because it opens on Ab and Ab is heard 3 times against 2 for Fm. That is an interpretation, not a rule — hearing the same chords from F minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 3× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 5× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 10× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 9× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 7× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 2× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 2× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 3× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 5× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 10× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 9× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 7× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 36 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×2
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×2
- Bbm Eb Abii → Vii → V Fmiv → VII ×2
The move to watch is Cm → Fm, heard 2 times. From the Ab side it reads iii → vi; from the Fm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
Starting on Ab, the song gives away its key from the very first bar. The backbone is Cm, Db, Eb, Bbm — iii–IV–V–ii from the Ab side, v–VI–VII–iv from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. The final chord is Cm; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mahsun Kırmızıgül - Canın Sağolsun Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Cevdet BağcaMusic: Cevdet BağcaArrangement: Yıldıray Gürgen
Mahsun Kırmızıgül
Mahsun Kırmızıgül
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