Manga - Bitti Rüya - Chord

Key Bb major – G minor Chords Dm, Bb, Eb, Cm, Gm, F Easy key C

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Capo 0

Dm  Bb  Dm  Bb  Dm  Bb  Dm  Bb

Dm
Bir kez gelmişsin bu saçma dünyaya
Bb
Olanları unutmak çok zor inan bana
Gm
Sevdiğin insan bile artık yalan söylüyor
F
Yaşadığın anılar acı vermeye başlıyor

Dm
Bir köprüden geçiyorum mutlu gibiyim sanki
Bb
Geride bir kent bıraktım bir de sevgili
Gm
Rüya mı bu, gerçek mi inan anlamıyorum
F
Bu şehir beni içine çekiyor kendimi alamıyorum

Dm
Olanlar yetmez gibi bir de mesaj geliyor
Eb
"Mutluluklar, hoşçakal", birer birer zırvalanıyor
Cm
İyice dağıtmak için biraz daha içiyorum
                       Eb
Sonra oturmuş mal gibi zırıl zırıl ağlıyorum

Dm                    Eb
Gidiyorum buralardan, dönüyorum durmadan
Cm         Bb   Eb       Dm
Uyan artık uyan, bitti rüya
                    Eb
Seviyorum sormadan, öpüyorum kasmadan
Cm          Bb    Eb       Dm
Dayan artık dayan, bitti rüya

Dm
Bir kez gelmişsin bu saçma dünyaya
Bb
Olanları unutmak çok zor inan bana
Gm
Yazdığın satırlar bile artık yalan söylüyor
F
Söylediğin sözler acı vermeye başlıyor

Dm
Bir köprüyü yakıyorum mutlu gibiyim sanki
Bb
Geride bir kent bıraktım bir de sevgili
Gm
Doğru mu, yanlış mı inan umursamıyorum
F
Bu şehir beni esir ediyor kendimi alamıyorum

Dm
İnanmazsın bir rüya hayatımı değiştiriyor
Eb
O mesajı unutmam için bana bir şans veriyor
Cm
Rüyaysa bu gerçekten artık uyanmak istiyorum
                          Eb
Mutluluk bile acı veriyor çünkü sonu var biliyorum

Dm                    Eb
Gidiyorum buralardan, dönüyorum durmadan
Cm         Bb   Eb       Dm
Uyan artık uyan, bitti rüya
                    Eb
Seviyorum sormadan, öpüyorum kasmadan
Cm          Bb    Eb       Dm
Dayan artık dayan, bitti rüya

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Manga - Bitti Rüya Tabs

NotesX

Harmony analysis

Manga – Bitti Rüya: key and chord analysis

The song opens on Dm and ends on Dm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb major side because Bb is heard 12 times against 4 for Gm. That is an interpretation, not a rule — hearing the same chords from G minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	12×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	6×
iii	Dm	Mediant — a tonic-family shade	D · F · A	16×
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	12×
V	F	Dominant — strongest pull home	F · A · C	4×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	4×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	4×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	12×
iv	Cm	Subdominant — moves away from home	C · Eb · G	6×
v	Dm	Minor dominant — soft pull	D · F · A	16×
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	12×
VII	F	Subtonic — steps back to the tonic	F · A · C	4×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 54 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The first chord is Dm; the ear learns where home is within a second. The backbone is Dm, Bb, Eb, Cm — iii–I–IV–ii from the Bb side, v–III–VI–iv from the Gm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Dm, the song seals Bb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.