Evdeki Saat - Dibi Ne Kadar - Chord

Key C major – A minor Chords Fmaj7, Em7 Difficulty already in its easiest key

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Fmaj7  Em7  Fmaj7  Em7

  Fmaj7                         Em7
Huzuru seninle kavuşmamız biraz zor
   Fmaj7                         Em7
Ne umdun hep bana yükleme kendine sor
      Fmaj7                     Em7
Ya da sorma kafanı yorma, olanlara
         Fmaj7                      Em7
Bir süre sonra yüzüne zorla, soranlara anlat

Fmaj7                            Em7
Herkes meşgul aklını fikrini korumakla
                            Fmaj7
Zaten bir aklım var oda kurumakta
                           Em7
Madem yaşamak ağzından solumaksa
                    Fmaj7
Yaşıyorum dibi ne kadar

                                 Em7
Herkes meşgul aklını fikrini korumakla
                            Fmaj7
Zaten bir aklım var oda kurumakta
                           Em7
Madem yaşamak ağzından solumaksa
                    Fmaj7
Yaşıyorum dibi ne kadar

          Em7
Dibi ne kadar
          Fmaj7
Dibi ne kadar
          Em7
Dibi ne kadar

End of song Play again?

Evdeki Saat - Dibi Ne Kadar Tabs

NotesX

Harmony analysis

Evdeki Saat – Dibi Ne Kadar: key and chord analysis

The song opens on Fmaj7 and ends on Em7. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii	Dm	Supertonic — prepares the dominant	D · F · A	—
iii7	Em7	Mediant — a tonic-family shade	E · G · B · D	12×
III	E	Chromatic colour chordoutside the key	E · G# · B	—
IVmaj7	Fmaj7	Subdominant — moves away from home	F · A · C · E	12×
V	G	Dominant — strongest pull home	G · B · D	—
vi	Am	Relative minor — the melancholy side	A · C · E	—
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	—
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv	Dm	Subdominant — moves away from home	D · F · A	—
v7	Em7	Minor dominant — soft pull	E · G · B · D	12×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VImaj7	Fmaj7	Submediant — warm colour	F · A · C · E	12×
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 2 different chords appear 24 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Fmaj7, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Em7, land on E, G, B — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Fmaj7 lays a solid floor for everything that follows. The chords that keep coming back are Fmaj7, Em7; read them as IVmaj7–iii7 in C or VImaj7–v7 in Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Em7, letting the C side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.