Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Erkan Mutlu - Uyan Ey Gözlerim - Chord
Key F major – D minor Chords Am, C, Gm, Bb Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Am Am C Gm Am
Am C Bb Gm C Bb Am
Am
Uyan ey gözlerim gafletten uyan
C
Uyan uykusu çok gözlerim uyan
Gm Am
Azrail'in kastı canadır inan
Am C
Uyan ey gözlerim gafletten uyan
Bb Gm C Bb Am
Uyan uykusu çok gözlerim u yan
Am Am C Gm Am
Am C Bb Gm C Bb Am
Am
Semavatın kapıların açarlar
C
Alemlere rahmet suyun saçarlar
Gm Am
Seherde kalkana hülle biçerler
Am C
Uyan ey gözlerim gafletten uyan
Bb Gm C Bb Am
Uyan uykusu çok gözlerim u yan
Seherde uyanırlar cümle kuşlar
Dillu dillerince tesbihe başlar
Tevhid eyler dağlar, taşlar, ağaçlar
Uyan ey gözlerim gafletten uyan
Uyan uykusu çok gözlerim uyan
Uyan uykusu çok gözlerim uyan
Bu dünya fanidir sakın aldanma
Mağrur olup tacu tahta dayanma
Yedi iklim benim diye güvenme
Uyan ey gözlerim gafletten uyan
Uyan uykusu çok gözlerim uyan
Benim, murad kulun, suçumu affet
Suçum bağışlayıp günahım ref'et
Rasûl'ün sancağı dibinde haşret
Uyan ey gözlerim gafletten uyan
Uyan uykusu çok gözlerim uyan
Uyan uykusu çok gözlerim uyan
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Erkan Mutlu - Uyan Ey Gözlerim Tabs
NotesX
Harmony analysis
Erkan Mutlu – Uyan Ey Gözlerim: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 8× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 18× |
| III | A | Chromatic colour chordoutside the key | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 8× |
| V | C | Dominant — strongest pull home | C · E · G | 12× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | — |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | — |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 8× |
| v | Am | Minor dominant — soft pull | A · C · E | 18× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 8× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 12× |
Analysis
The key pair is F major and its relative D minor (1 flat). 4 different chords appear 46 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gm C Fii → Vii → V Dmiv → VII ×4
The move to watch is Gm → C, heard 4 times. From the F side it reads ii → V (ii → V: the classic preparation of the dominant); from the Dm side it is iv → VII. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The chords that keep coming back are Am, C, Gm, Bb; read them as iii–V–ii–IV in F or v–VII–iv–VI in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → C (ii → V in F, iv → VII in Dm): ii → V — the classic preparation of the dominant. It closes on Am, letting the F side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Erkan Mutlu - Uyan Ey Gözlerim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Üçüncü MuradMusic: Ali Ufkî
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