Nova Norda - Dinozorlar - Chord

Key Bb major – G minor Chords Gm, Bb, C, Cm, Eb, A, Ab Easy key G (capo 3)

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Capo 0

Gm               Bb
Bilmem ne kadar, ne kadarım yakalar
C                Eb
bedenime komutan dinozorlar var
Gm               Bb
Belki de bu kadar, bu kadarım yakalar
C
İçimde yaşayan filozoflar var

Gm  Gm  Cm  Gm

Gm
 Yine biri bizi gözetliyor
Cm
 Herkes bilir ama söz etmiyor
Gm
 Dile gelince biliyorum ki tökezliyor
Cm
 Ruhum hissediyor hiçbir zaman pes etmiyor

Gm
 Yine biri bizi gözetliyor
Cm
 Herkes yavaş yavaş fark ediyor
Gm
 Biri gelince biliyorum ki dank ediyor
Cm
 Bir şeyler nüksediyor o sesler yükseliyor

  Gm                Bb
Kafamda dolanıyor o sesler
   A              Ab
Üzerimizde hayali gözler
   Gm               Bb
Dümdüzler bir de yüzsüzler
        A               Ab         Gm
Düpedüz fosil onlar ölümsüzler sanma

Gm              Bb
Bilmem ne kadar ne kadarım yakalar
C                Eb
Bedenime komutan dinozorlar var
Gm                Bb
Belki de bu kadar bu kadarım yakalar
C              Eb
İçimde yaşayan filozoflar var

Gm  Gm  Cm  Gm

Gm         Bb
 Yine biri bize biri bize
A     Ab
 Yine biri bize biri bize

  Gm                Bb
Kafamda dolanıyor o sesler
   A              Ab
Üzerimizde hayali gözler
   Gm               Bb
Dümdüzler bir de yüzsüzler
        A               Ab          Gm
Düpedüz fosil onlar ölümsüzler sanma 

Gm              Bb
Bilmem ne kadar ne kadarım yakalar
C                Eb
Bedenime komutan dinozorlar var
Gm                Bb
Belki de bu kadar bu kadarım yakalar
C              Eb
İçimde yaşayan filozoflar var

End of song Play again?

Nova Norda - Dinozorlar Tabs

NotesX

Harmony analysis

Nova Norda – Dinozorlar: key and chord analysis

The song opens on Gm and ends on Eb. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G minor side because it opens on Gm and Gm is heard 23 times against 11 for Bb. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	11×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	6×
II	C	Chromatic colour chordoutside the key	C · E · G	6×
iii	Dm	Mediant — a tonic-family shade	D · F · A	—
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	5×
V	F	Dominant — strongest pull home	F · A · C	—
vi	Gm	Relative minor — the melancholy side	G · Bb · D	23×
bVII	Ab	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	Ab · C · Eb	5×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—
VII	A	Chromatic colour chordoutside the key	A · C# · E	5×

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	23×
bII	Ab	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	Ab · C · Eb	5×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
II	A	Chromatic colour chordoutside the key	A · C# · E	5×
III	Bb	Relative major — the bright side	Bb · D · F	11×
iv	Cm	Subdominant — moves away from home	C · Eb · G	6×
IV	C	Major IV — Dorian / melodic-minor colourmodal colour	C · E · G	6×
v	Dm	Minor dominant — soft pull	D · F · A	—
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	5×
VII	F	Subtonic — steps back to the tonic	F · A · C	—

Analysis

The key pair is Bb major and its relative G minor (2 flats). 7 different chords appear 61 times in total; 4 of them sit naturally inside the shared scale. Ab is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Cm Gm Bbii → vi Gmiv → iminor plagal ×6
Eb Gm BbIV → vi GmVI → iVI → i ×4

The move to watch is Cm → Gm, heard 6 times. From the Gm side it is iv → i (minor plagal: deep and melancholic); from the Bb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
On Ab, follow the chord's notes (Ab · C · Eb) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Gm lays a solid floor for everything that follows. The chords that keep coming back are Gm, Bb, C, Cm; read them as vi–I–II–ii in Bb or i–III–IV–iv in Gm. Ab briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on Cm → Gm (ii → vi in Bb, iv → i in Gm): minor plagal — deep and melancholic. It closes on Eb, letting the Bb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.