Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Internet Money - Lemonade (Don Toliver - Gunna - Nav) - Chord
Key E major – C# minor Chords C#m, G#m, A, B Easy key G
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Key: E | Dbm | C#m
Capo: 0
C#m B G#m A
C#m B
Xanny bars, suicide door, brand new bag
G#m A
College girls give a nigga head in my Rafs
C#m B
Rockstar life, so much money it'll make you laugh, hey
G#m A C#m
These bitches, they hate, and you can't miss what you never had, hey, hey
C#m B
Off the juice (juice), codeine got me trippin' (juice)
G#m A
Copped the coupe (coupe), woke up, roof is missin' (yeah)
C#m B
Ice (ice), lemonade, my neck was drippin'
G#m A
Ice (ice), lemonade, my neck was drippin'
G#m
Addy boys, got some sixties in my bag (oh, yeah)
A
Lips sealed, I ain't pillow talkin', I'm not rat (no)
C#m B
In my earlobe, got two karats, VVS (bling)
G#m A
Got a penthouse near Rodeo off of strips (strips)
C#m B
All this money, when I grew up, I had nothin' (nothin')
G#m A
Filled with backstabbers, my old life was disgustin' (disgustin')
C#m B
Can't believe it, gotta thank God that I'm livin' comfortably (Thank God)
G#m A
Getting checks, I don't believe her, she say she done with me
C#m B
Burned some bridges and I let the fire light the way (oh-woah)
G#m A
Kickin' my feet up, left the PJ's on a PJ (PJ)
C#m B
Yeah, I'm a big dog, and I walk around with no leash (Oh)
G#m A
I got water on me, yeah, everythin' on Fiji
C#m B
Xanny bars, suicide door, brand new bag
G#m A
College girls give a nigga head in my Rafs
C#m B
Rockstar life, so much money it'll make you laugh, hey
G#m A C#m
These bitches, they hate, and you can't miss what you never had, hey, hey
C#m B
Off the juice (juice), codeine got me trippin' (juice)
G#m A
Copped the coupe (coupe), woke up, roof is missin' (yeah)
C#m B
Ice (ice), lemonade, my neck was drippin'
G#m A
Ice (ice), lemonade, my neck was drippin'
C#m B
I'm a rockstar, play guitars, sippin' 'Wock, hey (hey)
G#m A
Adderall, Fentanyl, Xanax bars, ayy (Hey)
C#m B
I was fifteen, I was sippin' codeine with my dawg, ayy (codeine)
G#m A
Did a Percocet, Promethazine, I feel nauseous (promethazine)
C#m B
Put up a stick and I hop on a plane
I'm still in my war ways (war ways)
G#m A
Shit is so risky, I gotta be gifted
He blessed me with fortune and fame (Fortune and fame, nice)
C#m B
I made my first fifty, I couldn't go back empty
I knew I was stuck to the game (stuck)
G#m A
I'm loyal and I'll never change
I'm never gon' go against the grain (go 'gainst the grain)
C#m
I'm never gon' be one turn on my brother when polices got us detained (Nah)
G#m A
I won't never love a bitch more than my mother
And that's on my government name (nah)
C#m B
I can't be no sucker, ain't hatin' on no one
I wish everybody get paid (paid)
G#m A
'Cause we countin' up every day (every day)
Gettin' high 'til I land in the grave
C#m B
Xanny bars, suicide door, brand new bag
G#m A
College girls give a nigga head in my Rafs
C#m B
Rockstar life, so much money it'll make you laugh, hey
G#m A
These bitches, they hate, and you can't miss what you never had, hey, hey
C#m B
Off the juice (juice), codeine got me trippin' (juice)
G#m A
Copped the coupe (coupe), woke up, roof is missin' (yeah)
C#m B
Ice (ice), lemonade, my neck was drippin'
G#m A
Ice (ice), lemonade, my neck was drippin'
C#m B G#m A
Yeah, yeah, yeah
C#m B G#m A
End of song Play again?
Internet Money - Lemonade (Don Toliver - Gunna - Nav) Tabs
NotesX
Harmony analysis
Internet Money – Lemonade (Don Toliver - Gunna - Nav): key and chord analysis
The song opens on C#m and ends on A. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because it opens on C#m and C#m is heard 28 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii | F#m | Supertonic — prepares the dominant | F# · A · C# | — |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | 27× |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IV | A | Subdominant — moves away from home | A · C# · E | 27× |
| V | B | Dominant — strongest pull home | B · D# · F# | 25× |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | 28× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | 28× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv | F#m | Subdominant — moves away from home | F# · A · C# | — |
| v | G#m | Minor dominant — soft pull | G# · B · D# | 27× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI | A | Submediant — warm colour | A · C# · E | 27× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 25× |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 4 different chords appear 107 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- A C#m EIV → vi C#mVI → iVI → i ×25
The move to watch is A → C#m, heard 25 times. From the C#m side it is VI → i (VI → i: falls a half step into home); from the E side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 3 semitones up
- 4 semitones down · capo 4 keeps the original pitch
The song's harmonic story
The opening C#m lays a solid floor for everything that follows. The chords that keep coming back are C#m, G#m, A, B; read them as vi–iii–IV–V in E or i–v–VI–VII in C#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on A → C#m (IV → vi in E, VI → i in C#m): VI → i — falls a half step into home. The final chord is A; the ear comes to rest in E.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Internet Money - Lemonade (Don Toliver - Gunna - Nav) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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