İrem Derici - Vazgeçtim İnan - Chord

Key B major – G# minor Chords G#m, D#m, Emaj7, E Easy key C

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Capo 0

G#m
 Kendimi bugün onun yerine koydum

Koyamadım onun yerine kimseyi ve uyudum
                 Emaj7
Oyaladım kendimi durdum
                     D#m
Pili bitik saat gibi durdum, durdum

G#m
 Kendimi bugün aynı yerlerde buldum

Çok tenha, pek yalnız bir de yorgun
                 Emaj7
Oyaladım kendimi durdum
                  D#m
Hep aynı soruları sordum, yok oldum

G#m
 Düşünüp kötüyü yordum

Bi kenara çekilip uzunca durdum
Emaj7
 Durduramadım gözyaşlarımı boğuldum
                D#m
Neler umdum da bak ne buldum

G#m
Ben onun soğuk rüzgarıyla savruldum

İçimin acısı yakıyor kavruldum
E
Gelen o vakitsiz hasretlere sordum
                     D#m
Bir şey gelmez elden dediler mahvoldum

G#m
 İyisi mi geri çekileyim
                      Emaj7
Ya da savaşıp yara alayım
                    D#m
Doğrusu ne bilemedim

          G#m
Vazgeçtim inan kendimden çoktan
           Emaj7
Ama senden olmuyor
                             D#m
Kendimi koparamıyorum bir an
 
          G#m 
Vazgeçtim inan kendimden çoktan
             Emaj7
Bir çıkışını bulup
                          D#m
Kurtulmalıyım bu yollardan

G#m
Olabilir mi bundan ötesi

Nefesi kesiyor bile düşüncesi

Meçhul dünün ertesi
                       Emaj7
Ve sular içinde gemilerimin güvertesi
                                            D#m
Kulaklarımda acı çeken bir ceylanın ürkek sesi

G#m
Nedir ki yaşama hevesi

Bana o hevesi veren o şey de neyin nesi

Çok sual az moral ve sebebsizce
Emaj7
Kurmaktan vazgeçemediğim aynı hayal
                        D#m
Hatırlıyorum olanları hayal meyal

          G#m
Vazgeçtim inan kendimden çoktan
             E 
Bir çıkışını bulup
                          D#m
Kurtulmalıyım bu yollardan

End of song Play again?

İrem Derici - Vazgeçtim İnan Tabs

NotesX

Harmony analysis

İrem Derici – Vazgeçtim İnan: key and chord analysis

The song opens on G#m and ends on D#m. Its chords belong to both B major and G#m, so every chord below is read both ways.

Major view

B major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A# (leading tone, pulls home)
4 = E (the note that leans on the 3rd)

Minor view

G# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = E (the minor's melancholy)
b7 = F# (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G# minor side because it opens on G#m and G#m is heard 10 times while B never appears. That is an interpretation, not a rule — the same chords are just as valid seen from B major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from B major
Degree	Chord	Role	Notes	In song
I	B	Tonic — home	B · D# · F#	—
ii	C#m	Supertonic — prepares the dominant	C# · E · G#	—
iii	D#m	Mediant — a tonic-family shade	D# · F# · A#	10×
V/vi	D#	Secondary dominant V/vi — leads to G#msecondary dominant	D# · G · A#	—
IVmaj7	Emaj7	Subdominant — moves away from home	E · G# · B · D#	8×
IV	E	Subdominant — moves away from home	E · G# · B	2×
V	F#	Dominant — strongest pull home	F# · A# · C#	—
vi	G#m	Relative minor — the melancholy side	G# · B · D#	10×
vii°	A#dim	Leading-tone chord — tension	A# · C# · E	—

Seen from G# minor
Degree	Chord	Role	Notes	In song
i	G#m	Tonic — home	G# · B · D#	10×
ii°	A#dim	Supertonic — prepares the dominant	A# · C# · E	—
III	B	Relative major — the bright side	B · D# · F#	—
iv	C#m	Subdominant — moves away from home	C# · E · G#	—
v	D#m	Minor dominant — soft pull	D# · F# · A#	10×
V	D#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D# · G · A#	—
VImaj7	Emaj7	Submediant — warm colour	E · G# · B · D#	8×
VI	E	Submediant — warm colour	E · G# · B	2×
VII	F#	Subtonic — steps back to the tonic	F# · A# · C#	—

Analysis

The key pair is B major and its relative G# minor (5 sharps). 4 different chords appear 30 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

D#m G#m Biii → vi G#mv → inatural-minor cadence ×9

The move to watch is D#m → G#m, heard 9 times. From the G#m side it is v → i (natural-minor cadence: gentle, modal arrival); from the B side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

B major pentatonic and G# minor pentatonic are the same five notes (B – C# – D# – F# – G#): start from B for a brighter phrase, from G# for a bluesier one.
Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
Over D#m, land on D#, F#, A# — the chord's own tones always sound right on strong beats.
Over Emaj7, land on E, G#, B — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With B major shapes

Capo 2 + A shapes
Capo 4 + G shapes
Capo 7 + E shapes

With G# minor shapes

Capo 4 + Em shapes
Capo 6 + Dm shapes

Easiest keys on guitar

1 semitone up
4 semitones down · capo 4 keeps the original pitch

The song's harmonic story

Starting on G#m, the song gives away its key from the very first bar. The backbone is G#m, D#m, Emaj7, E — vi–iii–IVmaj7–IV from the B side, i–v–VImaj7–VI from the G#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on D#m → G#m (iii → vi in B, v → i in G#m): natural-minor cadence — gentle, modal arrival. It closes on D#m, letting the B side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

İrem Derici - Vazgeçtim İnan Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sagopa Kajmer

Music: Sagopa Kajmer

Arrangement: Alper Atakan

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