Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Emre Fel - Merhabalar - Chord
Key Bb major – G minor Chords Gm, F, Dm, Cm, Eb, Fm Easy key C
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Key: Bb | Gm
Capo: 0
Cm Gm Cm Gm Cm Fm Gm
Gm F Gm
Bir zamanlar eski bir köy evinde
F Gm F Gm
Bir ana bir kız yaşar güzellik içinde
F Gm
Ben vurgunum o zamanlar bu yare
F Gm F Gm
Kıvranıp dururum yar bana bi çare
Gm F Gm
Yol sonunda bir lamba dibinden
F Gm F Gm
İzlerim nazlı yari gizli bir biçimde
F Gm
Günler geçer bir haber yollarım
F Gm F Gm
Bir dost var işin içinde ama gönlüm biçare
Cm Dm
Bilemezler
Gm F
Merhabalar ben bu yerlerden biriyim
Dm Eb
Uzunca zamandır bizim haneden firariyim
Gm F
Ve yolun yolum oldu ben deliyim divaneyim
Dm Eb
İzin ver nazlı yâr sana kendimi eyleyim
Cm Dm Cm Dm
Bir şey ister kalbim senden
Cm Dm Gm
Dilim varmaz diyemiyorum
Cm Dm Cm Dm
Dedi hayır olmaz benden bir şey
Cm Dm Gm
Bir başka yar sevemiyorum
Gm F Gm
Çekti gitti ben arkasından bakardım
F Gm F Gm
Tutulmuştu dilim ve sadece bakakaldım
Gm F Gm
Zor günlere aldırmadan yol aldım
F Gm F Gm
Bilemezdim nazlı yar istemez alamazdım
Gm F Gm
Çaresizlik içinde geri döndüm
F Gm F Gm
Bana yol gözüktü ev yoluna koyuldum
Gm F Gm
Çok geçmedi bir ses duydum duruldum
F Gm F Gm
Güne döndüm yüzümü döner dönmez vuruldum
Cm Dm
Silemezler
Gm F
Merhabalar ben bu yerlerden biriyim
Dm Eb
Çocuk yaşımda gelin oldum göçüp gittim
Gm F
Ama çok zaman oldu yolu ayırdım eve döndüm
Dm Eb
Bu sevda işinden her zaman korkar oldum
Gm F Dm
Uzun zaman önce bir sokak lambasının dibinde
Eb
Parlayan bir çift göz görüverdim
Gm F
Sanma bir sensin gönlü olan bu sevdaya
Dm Eb
Ben bu sevdaya çok önceden gönül verdim
Cm Dm Cm Dm
Bir şey ister kalbim senden
Cm Dm Gm
Nasıl desem bilemiyorum
Cm Dm Cm Dm
Dedi annem bekler gel gör beni
Cm Dm Gm
Ben sen gibi göremiyorum
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Emre Fel - Merhabalar Tabs
NotesX
Harmony analysis
Emre Fel – Merhabalar: key and chord analysis
The song opens on Cm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it comes to rest on Gm and Gm is heard 43 times while Bb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 17× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 20× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 6× |
| V | F | Dominant — strongest pull home | F · A · C | 30× |
| v | Fm | Chromatic colour chordoutside the key | F · Ab · C | 1× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 43× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 43× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 17× |
| v | Dm | Minor dominant — soft pull | D · F · A | 20× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 6× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 30× |
| vii | Fm | Chromatic colour chordoutside the key | F · Ab · C | 1× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 117 times in total; 5 of them sit naturally inside the shared scale. Fm step outside the scale as colour chords.
Chord movement
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×24
- Dm Gm Bbiii → vi Gmv → inatural-minor cadence ×6
- Eb Gm BbIV → vi GmVI → iVI → i ×4
- Cm Gm Bbii → vi Gmiv → iminor plagal ×2
The move to watch is F → Gm, heard 24 times. From the Gm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Bb side it reads V → vi (deceptive cadence: expected Bb, lands on Gm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. Gm, F, Dm, Cm carry the song: vi–V–iii–ii relative to Bb, i–VII–v–iv relative to Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Gm (V → vi in Bb, VII → i in Gm): Aeolian arrival — rises a whole tone into home. It closes on Gm, letting the Gm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Emre Fel - Merhabalar Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Emre FelMusic: Emre Fel
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