Pera - Dünya Gibi - Chord

Key G major – E minor Chords Em, Am, D, Bm, C Difficulty already in its easiest key

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Capo 0

Em
Dönüyorum dönüyorum dünya gibi
     Am
Başa dönüyorum ama hiç başaramıyorum
D
Gece oluyor elime telefonu alıp da
Bm                C
Seni aramadan hiç duramıyorum

Em
Çalıyor da çalıyor da aklımı çeliyor
Am
Kim var yanında hiç bilemiyorum
D
Dönüyorum dönüyorum dünya gibi
    Bm              C
Ama geceleri gündüz edemiyorum

Em  Em  Am  Am  D  D  Bm  C

Em                                           Am
Her karanlık gecenin ardından güneş doğmayabilir

Ama zaman yalan gelir
D
Düşer durur damla damla gözyaşım
Bm                  C
Mutluluksa eski bir arkadaş bana

Em                                   Am
Her çalan şarkının sözleri acıtıyor olabilir beni

Akıl yok deli gibi
D
Sayar söverim arada kızarım kadere
Bm              C
Şişelerde balık misali sarhoş

Em
Dönüyorum dönüyorum dünya gibi
     Am
Başa dönüyorum ama hiç başaramıyorum
D
Gece oluyor elime telefonu alıp da
Bm                C
Seni aramadan hiç duramıyorum

Em
Çalıyor da çalıyor da aklımı çeliyor
Am
Kim var yanında hiç bilemiyorum
D
Dönüyorum dönüyorum dünya gibi
    Bm              C
Ama geceleri gündüz edemiyorum

Em                                          Am
Her kayan yıldızın ardından bir iz kalmayabilir

Ama hayat onu verir
D
Sonu gelir yanıp yanıp dururken
Bm               C
Tepededir hep düştüğün gökyüzü

Em
Her gece bir ay var ve yıldızlar
     Am
Seni çaldı benden bu hırsızlar
  D
İnsafsızlar vicdansızlar
  Bm               C
Anlamsız bıraktı Allah'sızlar

Em
Dönüyorum dönüyorum dünya gibi
     Am
Başa dönüyorum ama hiç başaramıyorum
D
Gece oluyor elime telefonu alıp da
Bm                C
Seni aramadan hiç duramıyorum

Em
Çalıyor da çalıyor da aklımı çeliyor
Am
Kim var yanında hiç bilemiyorum
D
Dönüyorum dönüyorum dünya gibi
    Bm              C
Ama geceleri gündüz edemiyorum

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Pera - Dünya Gibi Tabs

NotesX

Harmony analysis

Pera – Dünya Gibi: key and chord analysis

The song opens on Em and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 12 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii	Am	Supertonic — prepares the dominant	A · C · E	12×
iii	Bm	Mediant — a tonic-family shade	B · D · F#	11×
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	11×
V	D	Dominant — strongest pull home	D · F# · A	12×
vi	Em	Relative minor — the melancholy side	E · G · B	12×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	12×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv	Am	Subdominant — moves away from home	A · C · E	12×
v	Bm	Minor dominant — soft pull	B · D · F#	11×
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	11×
VII	D	Subtonic — steps back to the tonic	D · F# · A	12×

Analysis

The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 58 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Am D Gii → Vii → V Emiv → VII ×11
C Em GIV → vi EmVI → iVI → i ×10

The move to watch is Am → D, heard 11 times. From the Em side it is iv → VII; from the G side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Em lays a solid floor for everything that follows. Em, Am, D, Bm carry the song: vi–ii–V–iii relative to G, i–iv–VII–v relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → D (ii → V in G, iv → VII in Em): ii → V — the classic preparation of the dominant. The final chord is C; the ear comes to rest in G.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.