Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Yıldız Tilbe - Bir Tek Düşüncem - Chord
Key Gb major – Eb minor Chords Bbm, Ebm, Gb, Db, B, Abm Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Bbm Bbm Bbm Db Bbm Db B Bbm
Gb Bbm Ebm B Ebm
Ebm Db B Abm Bbm
Bbm Ebm Bbm
Yine her akşam gibi
Db Gb Ebm Ebm Bbm Gb Ebm
Bu akşam da yalnızım
Gb Abm Bbm Gb Ebm
Masamda tek başııma durmadan içiyorum
Bbm Db Ebm B
Bir tek düşüncem sensin seni düşünüyoorum
Db Bbm
Hep seni arıyorum
Bbm Gb Abm Bbm
Bbm B Abm Bbm Gb
Şuan yanımda olsan sana neler söylerdim
Abm Bbm Ebm Gb Ebm
Kafam hafif dumanlı her derdimi dökerdim
Bbm Db Ebm B
Biraz ümidim olsa ömür boyu beklerdim
Db Bbm
ömür boyu beklerdim
Bbm Ebm Bbm
Sesin hep kulağımda
Db Gb Ebm Ebm Bbm Gb Ebm
Fakat yoksum yanımda
Gb Abm Bbm Gb Ebm
Dediler ki aşıksın ben buna inanmadım
Bbm Db Ebm B
Sana olan aşkıımı sen gidince anlaadım
Db Bbm
Sen gidince anladım
Bbm B Abm Bbm Gb
Şuan yanımda olsan sana neler söylerdim
Abm Bbm Ebm Gb Ebm
Kafam hafif dumanlı her derdimi dökerdim
Bbm Db Ebm B
Biraz ümidim olsa ömür boyu beklerdim
Db Bbm
ömür boyu beklerdim
End of song Play again?
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Harmony analysis
Yıldız Tilbe – Bir Tek Düşüncem: key and chord analysis
The song opens on Bbm and ends on Bbm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because Ebm is heard 21 times against 14 for Gb. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | 14× |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 8× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 31× |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IV | B | Subdominant — moves away from home | B · D# · F# | 9× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 13× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 21× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 21× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | 14× |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 8× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 31× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | B | Submediant — warm colour | B · D# · F# | 9× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 13× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 6 different chords appear 96 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbm Ebm Gbiii → vi Ebmv → inatural-minor cadence ×5
- Db Ebm GbV → videceptive cadence EbmVII → iAeolian arrival ×4
- B Db GbIV → VIV → V EbmVI → VIIVI → VII ×4
- Db Gb GbV → Iauthentic cadence EbmVII → III ×2
- B Ebm GbIV → vi EbmVI → iVI → i ×1
The move to watch is Bbm → Ebm, heard 5 times. From the Ebm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Gb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
Starting on Bbm, the song gives away its key from the very first bar. The backbone is Bbm, Ebm, Gb, Db — iii–vi–I–V from the Gb side, v–i–III–VII from the Ebm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Ebm (iii → vi in Gb, v → i in Ebm): natural-minor cadence — gentle, modal arrival. The final chord is Bbm; the ear comes to rest in Gb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Yıldız Tilbe - Bir Tek Düşüncem Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Adnan VarverenMusic: Adnan Varveren
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