Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Neslihan - Hiç Sevmedim - Chord
Key C major – A minor Chords Em, Dm, F, Am, G, E Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Am G
Hiç sevmedim kimseyi senin kadar
F E
Yüreğim yanmadı hiç bu kadar
Am Em
Çok yalnızım seninle bir yarım bir yarım
G F Em
Yok söylemeden olmaz ben sana aşığım
F Em
Aaah ben sana aşığım
Dm Em Dm Em
Eğer elindeyse ne olur çal kapımı
Dm Em Dm Em
Eğer yüreğindeysem ne olur sil gözyaşını
Em Am Am G G F F E
Am G
Sen bilmezsin alırım haberini
F E
Yollara küsmüşsün hissettin mi
Am Em
Buralar cehennem oldu inan bana
G F Em
Yanıp kavrulsam da seninle güzel Ankara
F Em
Aaah seninle güzel Ankara
Dm Em Dm Em
Güneşimiz bu aşk yakar yüreğimizi
Dm Em
Ter dolmuş gözlerimize
Dm Em
Göremeyiz hiçbir şeyi
Dm Em Dm Em
Eğer elindeyse ne olur çal kapımı
Dm Em Dm Em
Eğer yüreğindeysem ne olur sil gözyaşını
Em Am G F E
Am G F E
Benim kara haberim senindir
Eğer leylan ölmüş derseler gelme istanbula
Bulamazsın ki beni buralarda
Bir bulut ol git ankaraya
Yağ istediğin kadar toprağıma
Ben bizim bahçede olacam
Tam siyah kordonlu saatin yanında
O zaman bensiz dünyaya istediğin kadar bağırabilirsin
Sensiz bu dünyayı sevmiyorum sevmiyorum sevmiyorum
Ama şimdi ne olursun gel
Leylan hayatta ve İstanbul'da
Nefes almak da zor gelecek miydi bir gün bana
Tek hayalim hissettiğim şu son nefeslerimi seninle alıp vermek
End of song Play again?
Neslihan - Hiç Sevmedim Tabs
NotesX
Harmony analysis
Neslihan – Hiç Sevmedim: key and chord analysis
The song opens on Am and ends on E. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 8 times while C never appears and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 12× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 20× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | 5× |
| IV | F | Subdominant — moves away from home | F · A · C | 10× |
| V | G | Dominant — strongest pull home | G · B · D | 8× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 8× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 8× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 12× |
| v | Em | Minor dominant — soft pull | E · G · B | 20× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | 5× |
| VI | F | Submediant — warm colour | F · A · C | 10× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 8× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 63 times in total; 5 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am.
Chord movement
- E Am CV/vi → vi AmV → iharmonic-minor cadence ×4
- Em Am Ciii → vi Amv → inatural-minor cadence ×2
The move to watch is E → Am, heard 4 times. From the Am side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The backbone is Em, Dm, F, Am — iii–ii–IV–vi from the C side, v–iv–VI–i from the Am side. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on E → Am (V/vi → vi in C, V → i in Am): harmonic-minor cadence — the major V resolves dramatically. It closes on E, letting the C side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Neslihan - Hiç Sevmedim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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