Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Aleyna Tilki - Bu Benim Masalım - Chord
Key Bb major – G minor Chords D, Eb, Cm Easy key C
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Key: Bb | Gm
Capo: 0
D Eb D Eb
D Eb
Hoşgeldin burası sihirli bir dünya
D
Gezegenin adı Aleyna
Eb
Olurum ara sıra hem gerçek hem rüya
D Eb
Bilmezler içimde hazineler saklı
D
Diyorlar benim için farklı
Eb
Aslında hepsi de çok haklı çok
D
Kendime göre akışım var
Eb
Olmadı hiç bakışım dar
D
Tabii biraz da star ışığım var
Eb
Şansımı seveyim elimde tüm aslar
D Eb
Yok yok hiç geri, bende o vites hep ileri
D Eb
Sevdim mi biraz deli, oluyorum olur o kadar
D
Bu benim hikayem bu benim masalım
Eb
Aşkımın peşindeyim çok istersem alırım
D
Hiç sevmem oyunları ben geçtim o yolları
Cm
Çıkarın kağıtları aşkımı yazacağım
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Aleyna Tilki - Bu Benim Masalım Tabs
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Harmony analysis
Aleyna Tilki – Bu Benim Masalım: key and chord analysis
The song opens on D and ends on Cm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
- #7 = F# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because the major V chord points straight at Gm. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 1× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| III | D | Chromatic colour chordoutside the key | D · F# · A | 12× |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 11× |
| V | F | Dominant — strongest pull home | F · A · C | — |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | — |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | — |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 1× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | 12× |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 11× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 3 different chords appear 24 times in total; 2 of them sit naturally inside the shared scale. The major V of Gm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- When D comes, swap the scale's F for F#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
Starting on D, the song gives away its key from the very first bar. The chords that keep coming back are D, Eb, Cm; read them as III–IV–ii in Bb or V–VI–iv in Gm. D is the interesting twist: in Bb it is a chromatic chord (III), while in Gm it becomes the dominant (V) that makes the minor side sound so determined. Ending on Cm, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Aleyna Tilki - Bu Benim Masalım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ersay ÜnerMusic: Ersay ÜnerArrangement: Ozan Çolakoğlu
Ersay Üner
Ersay Üner
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