Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Enbe Orkestrası - Unutamam (Mustafa Ceceli) - Chord
Key Ab major – F minor Chords Bbm, Fm, Eb, Db, Cm, F#, C Easy key C
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Key: Ab | Fm
Capo: 0
Db Bbm Eb Fm
Unutmadım unutamam kara sevdam merak etme
Db Bbm Eb Fm
Yaşamaksa yaşadım lakin canımın çoğu kaldı sende
Bbm
Pişman mıyım asla
Fm
Güzelleştim yasla
Db F#
Sevmedim mi sevdim evet
C Cm
Senden sonra ihtirasla
Fm
Ama benim ciğerim yanar
Cm
Ten oyalanır can kanar
Bbm Eb
İki gözüm iki çeşme haberin yok
Bbm Fm
İçerime içerime akar
Fm
Benim ciğerim yanar
Cm
Ten oyalanır can kanar
Bbm Eb
İki gözüm iki çeşme haberin yok
Bbm Fm
İçerime içerime akar
Db Bbm Eb Fm
Unutmadım unutamam kara sevdam merak etme
Db Bbm Eb Fm
Yaşamaksa yaşadım lakin canımın çoğu kaldı sende
End of song Play again?
Enbe Orkestrası - Unutamam (Mustafa Ceceli) Tabs
NotesX
Harmony analysis
Enbe Orkestrası – Unutamam (Mustafa Ceceli): key and chord analysis
The song opens on Db and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it comes to rest on Fm, Fm is heard 9 times while Ab never appears and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 9× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 3× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | 1× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 5× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 6× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 9× |
| bVII | F# | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | F# · A# · C# | 1× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 9× |
| bII | F# | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | F# · A# · C# | 1× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 9× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 3× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 1× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 5× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 6× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 34 times in total; 5 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C is V/vi, a secondary dominant heading for Fm. F# is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Bbm Eb Abii → Vii → V Fmiv → VII ×6
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×4
- Bbm Fm Abii → vi Fmiv → iminor plagal ×3
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×1
The move to watch is Bbm → Eb, heard 6 times. From the Fm side it is iv → VII; from the Ab side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
- On F#, follow the chord's notes (F# · A# · C#) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
Starting on Db, the song gives away its key from the very first bar. Bbm, Fm, Eb, Db carry the song: ii–vi–V–IV relative to Ab, iv–i–VII–VI relative to Fm. C is the interesting twist: in Ab it is a chromatic chord (V/vi), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bbm → Eb (ii → V in Ab, iv → VII in Fm): ii → V — the classic preparation of the dominant. It closes on Fm, letting the Fm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Enbe Orkestrası - Unutamam (Mustafa Ceceli) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sezen AksuMusic: Sezen Aksu
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