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Erol Büyükburç - Dudaklarımda Şarkısın (Nostaljik) - Chord

Key Db major – Bb minor Chords Ab, Gb, Bbm, Fm, Db, Ebm, Bb Easy key G (capo 6)

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Capo 0
Db  Ab  Ab  Gb  Gb  Bbm  Ebm  Gb  Ab  Fm

Bbm           Ebm
Bak ayrılık geldi yine
Ab               Gb   Fm
Bir yaprak düştü dalından

Bbm           Ebm
O eşsiz güzelliğine
Ab             Gb    Fm
Hasretim artık her zaman

Bbm           Ab
Sevdim seni çiçek çiçek
                 Bb
Gönlüme doldun petek petek
Bbm         Ab
İster acı ister tatlı
          Gb      Fm
İçimde bu aşk tütecek

Bbm  Ab 
Ağlııyorum
Gb  Fm
Ağlıyorum

Bbm  Ab  Gb  Fm

Bbm            Ab   Db  Gb  Db
Tut ellerimden bırakma
Bbm             Ab  Db  Gb  Db
Beni hasretinle yaakma

Db           Ab
Dudaklarımda şarkısın
                Gb
Sen ömrümün tek aşkısın
             Bbm   Ebm
Aşkımız kalmasın yarım
Gb             Ab  Fm
Nolur hiç ayrılmayalım

Db  Ab  Ab  Gb  Gb  Bbm  Ebm  Gb  Ab  Fm

Bbm            Ebm
Sensiz nasıl yaşarım ben
Ab            Gb  Fm
Ufkumda gülen ışıksın

Bbm             Ebm
Bin güzel geçse gönlümden
Ab              Gb  Fm
Sen ömrümün tek aşkısın

Bbm           Ab
Sevdim seni çiçek çiçek
                 Bb
Gönlüme doldun petek petek
Bbm         Ab
İster acı ister tatlı
          Gb      Fm
İçimde bu aşk tütecek

Bbm  Ab 
Ağlııyorum
Gb  Fm
Ağlıyorum

Bbm  Ab  Gb  Fm

Bbm            Ab   Db  Gb  Db
Tut ellerimden bırakma
Bbm             Ab  Db  Gb  Db
Beni hasretinle yaakma

Db           Ab
Dudaklarımda şarkısın
                Gb
Sen ömrümün tek aşkısın
             Bbm   Ebm
Aşkımız kalmasın yarım
Gb             Ab  Fm
Nolur hiç ayrılmayalım

End of song Play again?

Erol Büyükburç - Dudaklarımda Şarkısın (Nostaljik) Tabs

NotesX

Harmony analysis

Erol Büyükburç – Dudaklarımda Şarkısın (Nostaljik): key and chord analysis

The song opens on Db and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = C (leading tone, pulls home)
  • 4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Gb (the minor's melancholy)
  • b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor because it opens on Db and Bbm is heard 20 times against 12 for Db. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree Chord Role Notes In song
I Db Tonic — home Db · F · Ab 12×
ii Ebm Supertonic — prepares the dominant Eb · Gb · Bb 8×
iii Fm Mediant — a tonic-family shade F · Ab · C 14×
V/vi F Secondary dominant V/vi — leads to Bbmsecondary dominant F · A · C —
IV Gb Subdominant — moves away from home Gb · Bb · Db 24×
V Ab Dominant — strongest pull home Ab · C · Eb 26×
vi Bbm Relative minor — the melancholy side Bb · Db · F 20×
V/ii Bb Secondary dominant V/ii — leads to Ebmsecondary dominant Bb · D · F 2×
vii° Cdim Leading-tone chord — tension C · Eb · Gb —
Seen from Bb minor
Degree Chord Role Notes In song
i Bbm Tonic — home Bb · Db · F 20×
V/iv Bb Secondary dominant V/iv — leads to Ebmsecondary dominant Bb · D · F 2×
ii° Cdim Supertonic — prepares the dominant C · Eb · Gb —
III Db Relative major — the bright side Db · F · Ab 12×
iv Ebm Subdominant — moves away from home Eb · Gb · Bb 8×
v Fm Minor dominant — soft pull F · Ab · C 14×
V F Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor F · A · C —
VI Gb Submediant — warm colour Gb · Bb · Db 24×
VII Ab Subtonic — steps back to the tonic Ab · C · Eb 26×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 7 different chords appear 106 times in total; 6 of them sit naturally inside the shared scale. Bb acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

  1. Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×12
  2. Ab Db DbV → Iauthentic cadence BbmVII → III ×4
  3. Gb Db DbIV → Iplagal cadence BbmVI → III ×4
  4. Gb Bbm DbIV → vi BbmVI → iVI → i ×4
  5. Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×4
  6. Ebm Ab Dbii → Vii → V Bbmiv → VII ×4

The move to watch is Fm → Bbm, heard 12 times. From the Db side it reads iii → vi; from the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
  • Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
  • Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
  • Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Db major shapes

    • Capo 1 + C shapes
    • Capo 4 + A shapes
    • Capo 6 + G shapes

    With Bb minor shapes

    • Capo 1 + Am shapes
    • Capo 6 + Em shapes

    Easiest keys on guitar

    • 6 semitones up · capo 6 keeps the original pitch
    • 1 semitone down · capo 1 keeps the original pitch

    The song's harmonic story

    The opening Db lays a solid floor for everything that follows. Ab, Gb, Bbm, Fm carry the song: V–IV–vi–iii relative to Db, VII–VI–i–v relative to Bbm. Bb adds a moment of surprise: secondary dominant V/ii — leads to Ebm. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. It closes on Fm, letting the Db side have the last word.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Erol Büyükburç - Dudaklarımda Şarkısın (Nostaljik) Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

    Find something to play next

    Ready-made lists by difficulty and mood.

    Lyrics: Arif Hikmet Par
    Music: Erol Büyükburç

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