Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Abdurehim Heyit - Ah Anam Sen Yok - Chord
Key E major – C# minor Chords G#m, B, F#m, C#m Easy key C (capo 4)
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Key: E | Dbm | C#m
Capo: 0
Solo G#m C#m B F#m B F#m G#m G#m Çineñge, ah anam, zemzem koyup birey disem sen yoq Nitey ecriñ üçün paqlan soyup birey disem sen yoq Tutup çıkmakni oylaymen uçañni tün boyi emdi Bişiñga kuş tekki yastuk koyup birey disem sen yoq Saña kanmay turup bagrım, hayatlar kavmidin kettiñ Kuyup piyaleñge şerbet sunup birey disem sen yoq Miniñ ademlikim bolgan siniñ tenbihliriñ bilen Mini ursañ mu meylidi turup birey disem sen yoq Siniñ ecriñde men ey er boldum, iğiz şahlerge kol suñan Birak şahtin anar alma üzüp birey disem sen yoq Siniñ barıñda kadriñni ecep bilmeptimen emdi Saña köygen bu bagrimni yirip birey disem sen yoq Çineñge, ah anam, zemzem koyup birey disem sen yoq Zemzem kuyup birey disem sen yoq Çinili bardağa, ah anam, zemzem koyayım desem sen yok Sevabına layık olabilmek için kuzu keseyim desem sen yok Ovalamak istiyorum omuzlarını gün boyu Başına kuş tüyü yastık koyayım desem sen yok Sana doymadan bağrım hayattan göçtün gittin Koyup piyalene şerbet sunayım desen sen yok Adam oldum senin tenbihlerin ile Bana vursan da olurdu, durayım desem sen yok Senin sayende ben adam oldum, yüksek dallara el uzatan Lakin daldan nar elma koparayım desem sen yok Senin varlığında kadrini kıymetini bilemedim Sana yanan bu bağrımı yarayım desem sen yok Çinili bardağa, ah anam, zemzem koyayım desem sen yok Zemzem koyayım desem sen yok
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Abdurehim Heyit - Ah Anam Sen Yok Tabs
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Harmony analysis
Abdurehim Heyit – Ah Anam Sen Yok: key and chord analysis
The song opens on G#m and ends on G#m. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because C#m is heard 1 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii | F#m | Supertonic — prepares the dominant | F# · A · C# | 2× |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | 3× |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IV | A | Subdominant — moves away from home | A · C# · E | — |
| V | B | Dominant — strongest pull home | B · D# · F# | 2× |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | 1× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | 1× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv | F#m | Subdominant — moves away from home | F# · A · C# | 2× |
| v | G#m | Minor dominant — soft pull | G# · B · D# | 3× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI | A | Submediant — warm colour | A · C# · E | — |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 2× |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 4 different chords appear 8 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- G#m C#m Eiii → vi C#mv → inatural-minor cadence ×1
- F#m B Eii → Vii → V C#miv → VII ×1
The move to watch is G#m → C#m, heard once. From the C#m side it is v → i (natural-minor cadence: gentle, modal arrival); from the E side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 3 semitones up
The song's harmonic story
Starting on G#m, the song gives away its key from the very first bar. The backbone is G#m, B, F#m, C#m — iii–V–ii–vi from the E side, v–VII–iv–i from the C#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G#m → C#m (iii → vi in E, v → i in C#m): natural-minor cadence — gentle, modal arrival. Ending on G#m, the song seals E as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Abdurehim Heyit - Ah Anam Sen Yok Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Abdurehim HeyitMusic: Abdurehim Heyit
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