Çağan Şengül - Yanar Dünyalar - Chord

Key Eb major – C minor Chords Fm, Bb, Cm, Gm, Ab, G Easy key C (capo 3)

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Capo 0

Fm
Ben bir deli
                      Bb
Takıntım sana bırak beni
  Ab       Bb
Sarıp koklasam seni
     Ab
Dokunsam yanar dünyalar

Fm
Dur gitmezsin dimi
  Cm             Bb
Beni bırakmazdın ya hani
       Ab          Bb
Uzun zamandır görmedim
     Ab                    Fm
Hasretimden yanar dünyalar

Fm    Gm        Cm           Bb
 İçimden akardı tüm nehirler eskiden
Fm       G          Cm        Bb
 Şimdi duyamaz oldum kuşların sesini
Fm       Gm            Cm   Bb 
 Yeşil çimenler eşliğinde öptüm seni
   Fm     Gm      Cm
 Hatırla unutma beni
 
Fm    Gm        Cm           Bb
 İçimden akardı tüm nehirler eskiden
Fm       G          Cm        Bb
 Şimdi duyamaz oldum kuşların sesini
Fm       Gm            Cm   Bb
 Yeşil çimenler eşliğinde öptüm seni
   Fm     Gm      Cm
 Hatırla unutma beni

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Çağan Şengül - Yanar Dünyalar Tabs

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Harmony analysis

Çağan Şengül – Yanar Dünyalar: key and chord analysis

The song opens on Fm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it comes to rest on Cm, Cm is heard 9 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	11×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	6×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	2×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	4×
V	Bb	Dominant — strongest pull home	Bb · D · F	10×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	9×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	9×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	11×
v	Gm	Minor dominant — soft pull	G · Bb · D	6×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	2×
VI	Ab	Submediant — warm colour	Ab · C · Eb	4×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	10×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 42 times in total; 5 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.

Chord movement

Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×6
G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×2
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×2
Fm G Ebii → V/vi Cmiv → Viv → V ×2
Fm Cm Ebii → vi Cmiv → iminor plagal ×1
Fm Bb Ebii → Vii → V Cmiv → VII ×1

The move to watch is Gm → Cm, heard 6 times. From the Cm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Eb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Fm lays a solid floor for everything that follows. The chords that keep coming back are Fm, Bb, Cm, Gm; read them as ii–V–vi–iii in Eb or iv–VII–i–v in Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. It closes on Cm, letting the Cm side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Çağan Şengül - Yanar Dünyalar Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Çağan Şengül

Music: Çağan Şengül

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