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Perdenin Ardındakiler - Yağmurlar (Anıl Piyancı) - Chord

Key E major – C# minor Chords C#m, G#m, F#m, A, B Easy key C (capo 4)

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Capo 0 
C#m       G#m       F#m
Yağmurlar var kalbimde
        A   B    C#m
Sakın sakın ıslanma
       G#m      F#m
Kaç kurtar kendini
         A    B    C#m
Sığın başka duvarlara

C#m
Kaç kurtar kendi burdan
G#m
Ruhunu al git çok uzaklara
F#m
Kaç kurtar kendi durma
A            B
Aldırma o sahte suratlara

C#m
Kaç kurtar kendi burdan
G#m
Yok dostun her biri kurnaz
F#m
Yavaş yavaş süzüldü kalbine
A          B
Kurmuş bak her biri kumpas

C#m
Nefes alıp veriyoruz hepimizin sorunu başka
G#m
Sürekli sarıyoruz oyunu baştan
F#m
Gözüyle görse bile yorumu başka
A                       B
Her birimizin kaderi de sonu da başka

C#m
İnanırız çoğumuz aşka
G#m
Hedefimi sor zoru başarmak
F#m
Kaplamış her yanı yolumu taşlar
A                   B
Tutamam kalbimi gel soyunur akşam

C#m
Gece çöker ve gökyüzü kararır
G#m
Geçemedim köprüyü paralı
F#m
Kalemi alırım ve dörtlüğü yazarım
A                   B
Karışık duygularıma kör düğüm atarım

C#m
Yaşıyorum çözdüğüm kadarını
G#m
Belkide yalandı ömrümü adadığım
F#m
Bütün o değerler sevgi ne aşk
G#m
Şu an sürüyorum içinde öldüğüm arabayı

C#m       G#m       F#m
Yağmurlar var kalbimde
        A   B    C#m
Sakın sakın ıslanma
       G#m      F#m
Kaç kurtar kendini
         A    B    C#m
Sığın başka duvarlara

C#m
Kaç kurtar kendi burdan
G#m
Ruhunu al git çok uzaklara
F#m
Kaç kurtar kendi durma
A            B
Aldırma o sahte suratlara

C#m
Kaç kurtar kendi burdan
G#m
Yok dostun her biri kurnaz
F#m
Yavaş yavaş süzüldü kalbine
A          B
Kurmuş bak her biri kumpas

C#m
Çünkü üzerinde dolaşıyor kara bulutlar
G#m 
Bedenin ıslanırken yanar umutlar
F#m
Kaderin yazısına kafa tutulmaz
A                B
Ruhunun yaraları kanar usulca

C#m
Çekilen acıların bi anlamı var
G#m
Hiç bir zaman boşuna değil
F#m 
Pes etme kendine bi şans tanı daha
A               B
İleri sür atını yokuşa değil

C#m
Çıkışı bilmesende gir tünele
                G#m
Geminin kaptanı değilsen de bin dümene
               F#m
Sırtını dön hemen kalbine bak kin güdene
A                 B
Gözünü kapa ve de gül güneşe

C#m
İnan ki göreceksin yıkınca duvarlarını
G#m
Dokununca bir insanın kalbine
F#m
Değişir damarlarındaki kanın akışı bile
A                 B
Bakıp utanacaksın eski haline

C#m       G#m       F#m
Yağmurlar var kalbimde
        A   B    C#m
Sakın sakın ıslanma
       G#m      F#m
Kaç kurtar kendini
         A    B    C#m
Sığın başka duvarlara

End of song Play again?

Perdenin Ardındakiler - Yağmurlar (Anıl Piyancı) Tabs

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Harmony analysis

Perdenin Ardındakiler – Yağmurlar (Anıl Piyancı): key and chord analysis

The song opens on C#m and ends on C#m. Its chords belong to both E major and C#m, so every chord below is read both ways.

Major view

E major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = D# (leading tone, pulls home)
  • 4 = A (the note that leans on the 3rd)

Minor view

C# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = A (the minor's melancholy)
  • b7 = B (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C# minor side because it both starts and finishes on C#m and C#m is heard 21 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from E major
Degree Chord Role Notes In song
I E Tonic — home E · G# · B —
ii F#m Supertonic — prepares the dominant F# · A · C# 18×
iii G#m Mediant — a tonic-family shade G# · B · D# 19×
V/vi G# Secondary dominant V/vi — leads to C#msecondary dominant G# · B# · D# —
IV A Subdominant — moves away from home A · C# · E 17×
V B Dominant — strongest pull home B · D# · F# 17×
vi C#m Relative minor — the melancholy side C# · E · G# 21×
vii° D#dim Leading-tone chord — tension D# · F# · A —
Seen from C# minor
Degree Chord Role Notes In song
i C#m Tonic — home C# · E · G# 21×
ii° D#dim Supertonic — prepares the dominant D# · F# · A —
III E Relative major — the bright side E · G# · B —
iv F#m Subdominant — moves away from home F# · A · C# 18×
v G#m Minor dominant — soft pull G# · B · D# 19×
V G# Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor G# · B# · D# —
VI A Submediant — warm colour A · C# · E 17×
VII B Subtonic — steps back to the tonic B · D# · F# 17×

Analysis

The key pair is E major and its relative C# minor (4 sharps). 5 different chords appear 92 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. B C#m EV → videceptive cadence C#mVII → iAeolian arrival ×17
  2. A B EIV → VIV → V C#mVI → VIIVI → VII ×17
  3. G#m C#m Eiii → vi C#mv → inatural-minor cadence ×1

The move to watch is B → C#m, heard 17 times. From the C#m side it is VII → i (Aeolian arrival: rises a whole tone into home); from the E side it reads V → vi (deceptive cadence: expected E, lands on C#m). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
  • Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
  • Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
  • Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With E major shapes

    • No capo — open E shapes
    • Capo 2 + D shapes
    • Capo 4 + C shapes

    With C# minor shapes

    • Capo 4 + Am shapes

    Easiest keys on guitar

    • 4 semitones down · capo 4 keeps the original pitch
    • 3 semitones up

    The song's harmonic story

    Starting on C#m, the song gives away its key from the very first bar. The backbone is C#m, G#m, F#m, A — vi–iii–ii–IV from the E side, i–v–iv–VI from the C#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on B → C#m (V → vi in E, VII → i in C#m): Aeolian arrival — rises a whole tone into home. Ending on C#m, the song seals C#m as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Perdenin Ardındakiler - Yağmurlar (Anıl Piyancı) Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

    Find something to play next

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    Lyrics: Anıl Piyancı
    Doruk Ereşter
    Music: Direnç
    Can Volkan
    Onar
    Arrangement: Can Volkan
    Direnç

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