Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Büyük Ev Ablukada - Arayan Bulur - Chord
Key D major – B minor Chords Bm, E, F#m, D, Gmaj7, A, B, G Easy key C (capo 2)
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Key: D | Bm
Capo: 0
Bm Bm D D F#m E Bm
Bm
Sonu gelince bi yolunu bulur, bana hiç acımaz
İzimi süreri kokumu alır, beni yakalar
Kaçamıyosan, kovalanmanın da cehennemi var
Arayan bulur, inleyen ölür, mevsim zaman
Bm Bm D D F#m E Bm
Bm
Ağız tadıyla bi çekip gidemedim, çekip gidemedim
İnsan eti ağır çektiğim kahır, ayağıma dolanıyor
D E A B G A E E
D E A B G A E E
F#m Gmaj7
F#m
Ben harbiden ben miyim, üzerime gelmeyin
Gmaj7
Becerebilirsem ufalanıyorum
İnsan büyüdükçe kusura bakma giderek kendine benziyor
F#m Gmaj7
Ben bi beni bulup içine girip saklanırsam, kim beni bulur
Olduğum gibi, olduğum gibi, olduğum gibi bul
F#m
Ben her zaman ben miyim, cinayetler miyim
Gmaj7
Gebere gebere çoğalıyorum
Neden hep böyle, mağlubiyetler, giderek üzerime yakışıyor
F#m Gmaj7
Ben bi beni bulup içine girip saklanırsam, kim beni bulur
Olduğum gibi, olduğum gibi, olduğum gibi bul
End of song Play again?
Büyük Ev Ablukada - Arayan Bulur Tabs
NotesX
Harmony analysis
Büyük Ev Ablukada – Arayan Bulur: key and chord analysis
The song opens on Bm and ends on Gmaj7. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it opens on Bm and Bm is heard 8 times against 6 for D. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 6× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| V/V | E | Secondary dominant V/V — leads to Asecondary dominant | E · G# · B | 8× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 7× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IVmaj7 | Gmaj7 | Subdominant — moves away from home | G · B · D · F# | 5× |
| IV | G | Subdominant — moves away from home | G · B · D | 2× |
| V | A | Dominant — strongest pull home | A · C# · E | 4× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 8× |
| V/ii | B | Secondary dominant V/ii — leads to Emsecondary dominant | B · D# · F# | 2× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 8× |
| V/iv | B | Secondary dominant V/iv — leads to Emsecondary dominant | B · D# · F# | 2× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | 6× |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| IV | E | Major IV — Dorian / melodic-minor colourmodal colour | E · G# · B | 8× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 7× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VImaj7 | Gmaj7 | Submediant — warm colour | G · B · D · F# | 5× |
| VI | G | Submediant — warm colour | G · B · D | 2× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 4× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 8 different chords appear 42 times in total; 6 of them sit naturally inside the shared scale. E, B act as secondary dominants, briefly pointing at another chord of the key.
Chord movement
- G A DIV → VIV → V BmVI → VIIVI → VII ×2
The move to watch is G → A, heard 2 times. From the Bm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the D side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The opening Bm lays a solid floor for everything that follows. The backbone is Bm, E, F#m, D — vi–V/V–iii–I from the D side, i–IV–v–III from the Bm side. E adds a moment of surprise: secondary dominant V/V — leads to A. Keep an ear on G → A (IV → V in D, VI → VII in Bm): VI → VII — the rising step that heads for the tonic. Ending on Gmaj7, the song seals D as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Büyük Ev Ablukada - Arayan Bulur Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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